Ruth Colombo

Photograph of the author, taken by Suparna Ghosh, “Blue View,” Toronto, October 2008

Concurrent Life Sentences

Over 110 vivid and expressive poems, a good many of them autobiographical in nature, are included in Concurrent Life Sentences. They were composed by Ruth Colombo and they are certain to surprise the reader with their wit and willingness to talk about lives, loves, and loathings.

The collection is a revision of the QuasiBook Edition that appeared in 1999. The poet’s aim is expressed in a line in “Ode to the Person” … “to become well and truly my own person!” The headings of the book’s sections give a good idea of the psychological territory covered by the poet: Epigraphs, Preface, Acknowledgements, Life Sentence, Preliminaries, Parental Family, Mother, Ruth’s Family, Reflections on the Family, Love, Holocaust, Religion, Truth and Lies, Language and Education, Meditations. Toronto: Colombo & Company. ISBN 10-1-894540-56-5. Trade paperback. viii + 286 pages. $30.00. Four-colour cover with an intriguing design by Bill Andersen.

Ruth Colombo’s recent book, Sophia Writ Large / Sophia Writ Small,is a long series of collected poems inspired by the Greek spirit of Wisdom. There is nothing quite like it in the annals of Canadian literature.

She has also written a series of QuasiBook Editions published by Colombo & Company. A former professor in the General Arts and Science Programme of Centennial College in Toronto, she the director of C&C which she founded with her husband John Robert Colombo.

Ruth is the author of the poetic trilogy Sisters Agonistes which consists of the following titles:

* Sisters of Elysium (a feminist reading of The Iliad),

* Sisters of Earth (a redemptive parable of forgiveness), and

* Sisters of Olympus (an exploration of the relationships among sisters who are also goddesses).

The author has long been concerned with the psychology of sisters, both mortal and immortal, and with the mythos and logos of sisterhood. She believes (in the words of Madame H.P. Blavatsky) that “every mythos has its logos.”

This photograph shows the author standing beneath the prehistoric trilithion of the Hagar Qim temple complex on the island of Malta, a structure that has been dated back to 3,500 B.C. The photograph was taken on 20 May 2008.

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